Category. ! I use it to make rockmusic and it sounds well on vocals, drums, guitars, bass. What can you tell me about the original Lexicon 480L? While my description only scratches the surface of how to make use of the 480L, note that the 480L section of UA’s own manual is 37 pages in length and an original hardware manual is 150 pages in length. Musical Instruments & Gear; ... Save lexicon 480l to get e-mail alerts and updates on your eBay Feed. While it’s possible that your convolution reverb plug-in will include some impulse response files sampled from a 480L, or indeed you might already have a 480L-like plug-in in your collection, the UAD Lexicon 480L is easily the last word when it comes to the authentic 480L sound and list of algorithms. Each algorithm also has a choice of up to 10 programs or banks. Historically, it’s one of the most popular reverb units ever. In this product shootout, watch as we compare the Lexicon 480L reverb to the Relab LX480 Complete using the preset 'Large Wood Room'. The Lexicon 224 was among the first digital effects processors. If you want the 480L sound (which the PCM Native doesn't cover exactly) i'd recommend the Relab offering. It does this while still retaining the mod, Historically, it’s one of the most popular reverb units ever. With an RMX16, Lexicon 224 and EMT250 in its list of plug-ins, the UAD platform isn’t exactly undernourished when it comes to algorithmic reverb, but after a long wait, the inclusion of the 480L is really the jewel in the crown. Include description. As a self-confessed reverb junkie, the thought of owning my own 480L has always been a tempting prospect, tempered only by the fact that original units still command prices of £3,000-£4,000. 480L recording equipment pdf manual download. Can this souped-up and affordable referencing plug-in help you upgrade your mixing and mastering skills? The company was among the first to produce commercially available digital reverb equipment, beginning in 1978/79 with the Lexicon 224. I’m quite proud of how it turned out, as well as the Effects and Ambience. The 224XL has many of the classic parameters (particularly for vocals and drums) without quite as much flexibility as the Lexicon 480L, which can be used as two quite separate engines for many applications. On the original 480L unit, the Random banks added small modulation effects as a means of breaking up some of the ringing effects that longer tails could occasionally produce. You can adjust the input and output gain, and you can also correct for a Random Hall ringing bug that was discovered and fixed by the UA team during development. Having at least one ‘good’ reverb has always been a sensible approach to equipping your studio – either in hardware or software form. The plug-in 480L is fronted by the LARC controller in software form, although with the addition of a few tweaks to make it even easier to operate. I guess you could say there were a lot of quirky “buglike” features in the 480L. and chorus under the Effects algorithm. The Lexicon 224 introduced in 1978 and manufactured through to 1986, is an early digital reverb that was well known for its spacey, extra long decays. Those were challenging, as we needed to decide: “Do we replicate it or fix it?” We have a warts-and-all approach to modeling vintage gear, and will nearly always keep the oddities. On the 480L, it was the Random algorithm that took up the most resources. The 480L was a significant upgrade over the 224 and at a base level doubled its power and algorithms and offered better sound. Dial in a longer reverb tail, and you get that distinctive Lexicon shimmer that fills out the soundstage of your mix so well, while shorter settings never seem to smear or obstruct the dry sound like some other reverbs can. Someone hired in a Lexicon 480L for me on a mix a few years ago. In the current glut of throwaway digital devices with ever-cheaper versions of the same sounds, the Lexicon 480L … The precursor to the 480L – the Lexicon 224 – was previously modelled by Universal Audio (under full endorsement from Lexicon) and remains a firm favourite in my studio. Lexicon is an American company that engineers, manufactures, and markets audio equipment as a brand of Harman International Industries, a subsidiary of South Korea-based firm Samsung Electronics.The company was founded in 1971 with headquarters in Waltham, Massachusetts, and offices in Salt Lake City, Utah.It was acquired by Harman in 1993. I guess you could say there were a lot of quirky “buglike” features in the 480L. I used different Lexicon units for the distinctive reverb sounds and effects I … Universal Audio’s. As always, it runs exclusively on Universal Audio’s UAD-2 DSP platform and Apollo DSP-equipped interfaces. It was designed in the late 1970s using the best technology available, which at the time was the 8080 microprocessor, 12-bit converters and bucketloads of 74S/LS-series logic. Then we measure and shape the linear filtering, fine-tune the harmonic behavior, clip points, and other fine details, to that unit. The original Lexicon 224 hardware unit. Still, one good reverb sounds infinitely better than 10 half-baked instances so, unless you’re running an old Satellite Duo, that level of resources isn’t hard to justify. This captures all the sonic charms of early 80s Lexicon reverb, which takes a prominent position in the soundtrack to the original Blade Runner. It’s become very stylistic. Here's a tool that can reduce the velocity range, should it be desired. The mainframe, of course, packed an enormous amount of DSP muscle for the time, as well as hosting those all-important algorithms! but also carries a range of effects algorithms covering delays, doubling, chorus and tremolo treatments. All program selection, editing, and enjoyment happened on an externally-wired remote control device called a LARC. Most importantly, it also carries the famous Random effects (more on this later) that became a big part of the distinctive Lexicon sound and something impossible to capture using convolution.

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